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About Jeff Kallman

Member, Internet Baseball Writers Association of America and the Society for American Baseball Research.

ASG: As (almost) usual, show biz yields to baseball

Jarren Duran

Red Sox center fielder Jarren Duran hoists the clear bat awarded the All-Star Game’s Most Valuable Player. His tiebreaking two-run homer held up to give the AL the 5-3 win.

God help us all, everyone. The All-Star break began with a pre-Home Run Derby singing of “The Star Spangled Banner” Monday night (by country star Ingrid Andress) that made youth cringe and elders think wistful thoughts of Roseanne Barr. It ended with a tenth American League All-Star Game win in eleven seasons.

In between, of course, was much to ponder and much to dismiss as patent nonsense, which seems to be far more the norm than Chicago Tribune sports editor Arch Ward, who initiated the game in 1933, might have imagined.

Phillies third baseman Alec Bohm could be seen having to labour to keep from laughing (presumably, that he might not weep—or wish to commit manslaughter) when Andress tackled “The Star Spangled Banner” as though too well besotted. It turned out that appearance was everything: She copped the following day to being drunk and having enough issue with it to seek rehab and recovery.

Wish her well, but demand to know why nobody in baseball’s administration noticed she was drunk as she took the mike in the first place.

That was then: The Derby rules were, a participant had ten outs to hit as many homers as they could, the hitter with the most such bombs advanced, and that was that. So simple that, in fact, even Mark Belanger (human Electrolux at shortstop, but a spaghetti bat who hit three fewer homers in eighteen major league seasons than the late Hall of Famer Willie Mays hit in the first half of 1965) could have done it.

This is now: Round One—three minutes or forty batted balls, whichever came first, followed by an old-style three outs to hit as many bombs as possible. Round Two—the top four floggers moved to a bracket-like semifinal. Round Three—the two semifinal winners head to head. The net result: Teoscar Hernandez (Dodgers) defeating Bobby Witt, Jr. (Royals), who nearly forced a playoff with a ICBM-like blast stopped only by the left center field fence.

Some of us still wonder why we’re supposed to tolerate three-hour long Home Run Derbies but arise armed against two and a half hour-plus real baseball games. Or, why we had three-minute commercials aboard Fox’s All-Star Game telecast Tuesday before seeing supersonic relief pitchers blowing the side away in order in a minute and a half if that long.

Perhaps commissioner Rob Manfred might have an answer to that one. At least he has a sort-of answer to the question (posed by The Athletic‘s Tyler Kepner) of when the ever-more-hideous generic All-Star Game uniforms of the past several years will be disappeared in favour of returning the fine old tradition of All-Stars wearing their own uniforms and thus representing their teams.

“I am aware of the sentiment and I do know why people kind of like that tradition,” Commissioner Pepperwinkle told Kepner. “There will be conversations about that.” The proper two-word answer to that, of course, is, prove it. About knowing why people (more than kind of) like that tradition and holding serious conversations about it.

Well, take the proverbial pause for the proverbial cause. That very first All-Star Game featured the American League representatives wearing their own teams’ home uniforms with the National League wearing road threads, as modeled below by Hall of Fame catcher Gabby Hartnett:

Gabby Hartnett

Behold now this year’s threads for each league:

Yes, we have seen far worse for generic All-Star uniforms.

Except for each league’s colour scheme, is it really that radically different from the 1933 NL haberdashery? Now, this year’s threads would look far nicer if the American League jersey was done with red-on-white (the AL was the home team in Globe Life Field) and the National League was done with blue-on-gray (since the NL is the visiting team). And worn over either white (home) or gray (road) pants.

My normal position is to be all-in on returning to the practise of each league’s All-Stars wearing their own teams’ uniforms, representing their teams and fan bases, as their forebears did for so many decades. If Commissioner Pepperwinkle insists ultimately upon keeping generic league uniforms, this year’s style just might be the right way to go, switching the core white and gray each year depending upon which league is the All-Star host.

The wherefores of this year’s uniforms mattered less when the game got underway, and rookie NL starting pitcher Paul Skenes (Pirates) got to face Aaron Judge (Yankees) after all, thanks to Judge’s teammate Juan Soto wringing himself into a walk. The bad news: Judge forcing Soto at second with a grounder to third for the side.

AL manager Bruce Bochy (Rangers) was well aware of the marquee appeal of Skenes versus Judge while penciling Judge into his cleanup slot. But he sent three lefthanded swingers with impeccable on-base credentials up against the righthanded Pirate phenom to open, hoping precisely to get that marquee match without sacrificing his best chances to start winning the game.

Joe and Jane Fan insist, “This is just an exhibition, dammit!” Maybe they’re right. Maybe the metastasis of regular-season interleague play to a full-season thing has left the All-Star Game bereft of meaning, as opposed to such artifices as the period when postseason home field advantage went to the league who won the Game..

But maybe a Hall of Famer in waiting who’s won four World Series as a skipper knows, however the game’s been kicked around like a commissioner’s plaything for too damn long, that himself, his NL counterpart Torey Lovullo (Diamondbacks), and the players on both sides, actually do play this particular game as baseball, not show business.

Shohei Ohtani

Shohei Ohtani detonating a three-run homer in the third inning. “To be able to share a dugout with him was surreal.”—Pirates pitcher Paul Skenes. Ohtani is now the only player in Show history to earn a pitching win in one All-Star Game and a home run in another All-Star Game.

So Bochy got Joe and Jane Fan their marquee matchup the old fashioned way, and Skenes came out of it on top, but Bochy’s diligence left him the only manager in major league history to win a World Series and an All-Star Game in each league. And, the first since Hall of Famer Joe McCarthy to manage an All-Star Game at home the season after he won a World Series.

Putting baseball ahead of show biz has enriching payoffs, of which Commissioner Pepperwinkle seemed as unaware as both managers were reminded soon enough en route the American League’s 5-3 win Tuesday.

Lovullo got the first such reminder when Shohei Ohtani (Dodgers) faced Tanner Houck (Red Sox) in the top of the third with nobody out, two men on, and sent a 2-0 splitter a few rows back into the right center field seats. (The last Dodger to hit one out in All-Star competition? Hall of Famer Mike Piazza, 28 years earlier.) Bochy got his in the bottom of that inning, when Soto shot a two-run double to center and David Fry (Guardians) singled him home to tie the game at three after another Judge ground out.

Two innings later, Lovullo got the reminder that ended up counting for the game, when Jarren Duran (Red Sox) batted with two out and one on, took a strike from Hunter Greene (Reds), then caught hold of a Greene splitter and sent his own message into the same region of seats where Ohtani’s blast landed.

“It won’t hit me until I try to go to sleep tonight,” Duran told The Athletic postgame. “Who knows if I’ll be able to sleep tonight.”

A guy in his fourth Show season who entered this All-Star Game leading it with ten triples and the AL with 27 doubles, then detonated what proved the winning bomb Tuesday, deserves to sleep the sleep of the just. So does the rookie whose first two months in Show have made him a name and an arm to reckon with as it was, without giving him the additional gift of being an Ohtani teammate even for just one game—thus far.

“I tried to enjoy the three hours I had on a team with him,” Skenes said postgame, “because that’s probably only going to happen once a year. It was really cool to watch him do that, really cool to watch him go about his business and get to meet him and all that. You know, he’s—I don’t know of any hitters I’ve faced that’s better than him in my career. So, to be able to share a dugout with him was surreal.”

The only thing better for either would have been an NL win, of course. Nobody had to tell Skenes it was neither his nor Ohtani’s fault the NL came up two bucks short Tuesday.

The Baltimore rumble

Basebrawl

The Orioles and the Yankees rumble in the bottom of the ninth Friday night, after Oriole Heston Kjerstad took one on the side of his head from a Clay Holmes who clearly couldn’t control his pitch grip as the rain kept falling on Camden Yards . . . and after an incensed Oriole manager Brandon Hyde hollered at a Yankee or three to trigger the rumble. Upper right: Aaron Judge (with eye black) about to re-enter the crowd and scatter Orioles as best he could . . .

You could see the rainfall continuing in Camden Yards to the point where Yankee relief pitcher Clay Holmes had few dry spots on his road jersey. You could also imagine gripping and pitching a baseball in that bottom of the ninth moment, the Yankees up 4-1, one out, none on, and an 0-2 count on Orioles center fielder Heston Kjerstad, would be two things: difficult, and impossible.

What you didn’t have to imagine was Kjerstad on the ground in the batter’s box after Holmes’s supposed-to-have-been sinkerball took an ascending flight, instead, crashing into Kjerstad’s head through the right helmet flap, with a crack loud enough that you might have thought for one moment the ball hit Kjerstad’s bat, somehow, and enough force to knock the helmet off Kjerstad’s head as he went down.

What you didn’t want to imagine, if you still had your marble (singular) and weren’t bound to whole servitude by a particular rooting interest, was Holmes wanting to leave Kjerstad with a hole in his head when he was a strike away from putting Kjerstad away for a second out and the Yankees that much closer to sealing a win.

But too many of those bound by Oriole rooting interest decided in the jolt of the moment that Holmes, if not his fellow Yankees, was guilty of attempted murder. I can’t speak for you, but I’m not aware of that many murder attempts that end with the executioner moving and talking toward an apparently genuine concern for the victim’s well-being.

Whatever your position on the Sacred Unwritten Rules, on this much there seems general agreement: It is easier for a fastball to travel through the eye of the needle than for its pitcher to decide with premeditation that two outs short of his team’s victory requires he perform sixty-foot-distance neurosurgery upon the batter in the box

Orioles manager Brandon Hyde thought anything but, seemingly. Almost the split second Kjerstad hit the deck in agony, and Holmes himself tried to make certain he’d be all right, Hyde’s switch flipped. So did his team’s, soon enough, the Orioles pouring out of their dugout and bullpen and the Yankees pouring forth likewise from both directions.

You might understand why when you remember that Yankee pitches have hit Oriole batters up and in with alarming proliferation this season. Yankee pitches have hit a lot of players on several teams with alarming proliferation; the Yankee staff accounted for 62 hit batsmen as of Sunday morning. The Oriole staff? Tied with those of the Padres and the Rangers with 37 each to their discredit.

But Oriole pitchers had hit only three Yankees before Friday night’s blight, compared to Yankee pitchers hitting ten Orioles before that point. It’s one thing to point out that the Yankee strategy against the Orioles’ lefthanded hitters has been to work them inside, inside, and inside, but keeping it that way without resembling headhunters requires control, and lots of it.

Holmes has three hit batsmen thus far this season and has averaged seven per 162 games lifetime. This is not necessarily the resumé of a marauder. But the Orioles had reason enough to find fault that it may have escaped their thinking that the rainy inning affected Holmes’s grip enough to rob him of his control. His attempt to determine Kjerstad’s condition almost at once should have been the clarifier.

Not so fast, Hyde decided. Checking his fallen batter around the plate, Hyde first glared at Holmes; then, as Kjerstad arose from the batter’s box and began to walk around with a trainer’s aid, Hyde looked toward Holmes and hollered a rasping “[fornicate] you!” to the Yankee pitcher. The umpiring crew heard it loud enough and clear enough to converge and keep the Yankees reasonably calm and the Orioles from thinking about a rumble in the Camden jungle.

Hyde sticking up for his player was one thing, as even the Yankees acknowledged after finishing the 4-1 win. “Anybody who was out there knows it was tough to grip the baseball tonight,” said Yankee pitcher Gerrit Cole. “That said, though, the guy got hit in the head. It’s understandable that Brandon’s pissed. He’s defending his players.”

But Hyde hollering vulgarities at the Yankee pitcher who showed some genuine human concern over a serious injury he’d caused without intent was something else. As Kjerstad was escorted to the Oriole clubhouse, a  few Yankees chimed in with a variation on it was an accident, you know it was an accident, look at this rain, brain, and don’t give our guy that crap! 

At which point Hyde turned toward the Yankee dugout, and you didn’t require lip-reading training to see he was hollering back, You talkin’ to me? [Fornicate] you! Don’t [fornicating] talk to me! Then, Hyde confronted and pushed Yankee catcher Austin Wells backward some steps. Whoops.

Out poured the teams into a thick pushing and shoving mob around the innermost infield. Into the scrum walked Aaron Judge, the Leaning Tower of River Avenue, who looked to all the world as though single-handedly bumping this, that, and the other Orioles to one side as best he could.

Somewhere in the middle of the melee Hyde was ejected for the rest of the game. Somewhere else, two fan bases tried their best to urge the Yankees to pull back on the constant up-and-in pitching (down-and-in, we presume, would be less likely to incite on-field riots) and to urge the Orioles, their skipper especially, to take a breath before deciding an opponent who wounded one of theirs without intent should be tried, convicted, sentenced, and executed right then and there.

Both sides picked themselves up, dusted themselves off, and started all over again Saturday, with the Yankees winning again, this time 6-1, ensuring their first series win in what began to seem eons. Not an Oriole or a Yankee got hit by a pitch, either. The temptation was to greet each inning by whispering, “they wouldn’t dare.”

But a few baseballs got rapped or detonated by Yankee bats, especially Judge setting a new team record for most bombs before an All-Star break (the previous record holder: you guessed it—Roger Maris) immediately following Juan Soto’s solo in the fifth, and Wells blasting a three-run homer in the top of the first.

The series wrapped Sunday afternoon with a 6-5 Orioles win that began with their starting pitcher Dean Kremer hitting Judge with the first pitch of the plate appearance in the first. It ended with Yankee left fielder Alex Verdugo misplaying Oriole center fielder Cedric Mullins’s liner into a game-winning two-run double, after Yankee shortstop Anthony Volpe misplayed  what should have been Oriole first baseman Ryan Mountcastle’s game-ending, Yankee win-sealing grounder, allowing the bases to stay loaded for Mullins and the Orioles back within a run.

That left the Orioles in first place in the AL East by a hair entering the All-Star break. It also ended the regular season series between the Yankees and the Orioles. The two American League East beasts don’t have to look at each other the rest of the regular season. While wishing for Kjerstad’s fully restored health, it’s also nice to see that, as of Sunday, the Judge plunk to one side and with no apparent rough stuff as a result, the two really do know how to play nice with and against each other.

Orlando Cepeda, RIP: “Winter always turns to spring”

Orlando Cepeda

Cepeda was the Giants’ first San Francisco idol from the moment he emerged in 1958.

It took the late Hall of Famer Willie Mays more time than he deserved to become a San Francisco treat as a New York import. It took the now-late Hall of Famer Orlando Cepeda, who died Friday at 86, five minutes during the Giants’ first season by the Bay.

OK, that’s only a slight exaggeration. But having no tie to the Giants’ New York past, having a blast against the Dodgers in the Giants’ first San Francisco regular season game (a home run against Don Bessent with one out in the fifth), and posting a Rookie of the Year season with 25 bombs and a National League-leading 38 doubles, Cepeda became a Giants’ matinee idol at once.

It didn’t hurt that this son of Puerto Rican baseball legend Pedro (The Bull) Cepeda found San Francisco a treat from the word go, either. “Right from the beginning,” the Baby Bull would remember to Sports Illustrated‘s Ron Fimrite in 1991.

There was everything that I liked. We played more day games then, so I usually had at least two nights a week free. On Thursdays, I would always go to the Copacabana to hear the Latin music. On Sundays, after games, I’d go to the Jazz Workshop for the jam sessions. At the Blackhawk, I’d hear Miles Davis, John Coltrane . . . I roomed then with [outfielder] Felipe Alou and [pitcher] Rubén Gómez, but I was the only one who liked to go out at night. Felipe was very religious and quiet, and Rubén just liked to play golf, so he wasn’t a night person. But I was single, and I just loved that town.

Show me a ballplayer who loves a good jazz jam and I’ll show you my kind of ballplayer, folks. The only thing that would make my jazz heart go pitty-pat a little more would be discovering Cepeda in the Blackhawk audience on the April 1961 nights that produced the classic Miles Davis In Person Friday and Saturday Nights at the Blackhawk.

Imagining the smiling Cepeda at the Blackhawk raptly listening to a Davis quintet running the range from Miles’ modal classic “So What” to Thelonious Monk’s equally classic “Well, You Needn’t” and back to, say, Johnny Mercer’s “Autumn Leaves” or Miles’s own blues, “No Blues,” is an imagining worth securing.

The sole sore spot was Cepeda’s early tussle with fellow Giants comer/Hall of Famer Willie McCovey for playing time at first base. Cepeda won the early battles when McCovey, an equally likeable soul, struggled to find consistency, compelling Giants manager Bill Rigney to switch the pair off between left field and first base, a switchoff that didn’t always sit right with Cepeda.

“I know I could’ve played left field if I’d put my mind to it,” he’d remember to Fimrite, “but I was only 21 years old and very sensitive. Friends and other players kept telling me I should demand to play first. It was all pride with me. And ignorance.”

A 1961 knee injury left Cepeda to play in pain for most of the rest of his Giants tenure, but it didn’t stop him from leading the National League with 46 home runs and finishing second to Hall of Famer Frank Robinson in the league’s Most Valuable Player Award vote. Somehow, Cepeda would manage to post performances through age 26 that would make him a rival to Hall of Famers Jimmie Foxx and Lou Gehrig (and, retroactively, Hall of Famer in waiting Albert Pujols) for first basemen.

The knee pain was nothing compared to the psychic pain of playing for Rigney’s successor manager Alvin Dark. Dark was known too well to mistake Cepeda and his fellow Latinos’ effervescence for indifference, to say nothing of Dark despising their speaking Spanish among each other. The manager also thought Cepeda was exaggerating the extent to which his knee bothered him.

“Some people think that because we are Latins — because we did not have everything growing up — we are not supposed to get hurt,” he told another SI writer, Mark Mulvoy, in 1967. “But my knee was hurt. Dark thought I was trying not to play. He treated me like a child. I am a human being, whether I am blue or black or white or green. We Latins are different, but we are still human beings. Dark did not respect our differences.”

Dark’s successor, Herman Franks, suspected Cepeda of loafing in spring 1965 when in fact Cepeda found it difficult to put his full weight on the bothersome knee. He’d spend May through August on the disabled list, have surgery on the knee in the offseason, and lose the first base job to McCovey at last. In May 1966, after another spell in left field and despite hitting reasonably, Cepeda was traded to the Cardinals for pitcher Ray Sadecki.

Shocked at first, Cepeda welcomed the deal quickly when he made two discoveries. The Cardinals needed a first baseman in the worst way possible, and his new teammates plus manager Red Schoendienst took a quick liking to his upbeat personality and his equal loves for jazz and Latin music. They nicknamed him Cha-Cha; he returned the favour by nicknaming the 1967 Cardinals El Birdos.

Orlando Cepeda

He nicknamed his 1967 Cardinals El Birdos, and they went on to win that World Series while he won the NL’s MVP.

Well, now. El Birdos would go all the way to winning the World Series and Cha-Cha would go all the way to winning the NL’s MVP. Inexplicably, though there’s always the chance that his repaired right knee might still have tried to rebel, Cepeda went from first to worst of his career to date, sort of, in 1968. Hoping to make a 1969 comeback, he was dealt to the Braves for catcher/third baseman Joe Torre before spring training ended.

Leery about the South (he’d learned the hard way about Jim Crow as a minor leaguer in Virginia over a decade earlier), Cepeda relaxed when reunited with former Giants teammate Felipe Alou and making a new friendship with Hall of Famer Henry Aaron. His regular season was a struggle, but in the new divisional play format with the Braves winning the NL West, Cepeda hit a ton in a losing cause (1.448 OPS) as the Braves got swept in the best-of-five by the Miracle Mets.

He hit a ton in 1970 (34 bombs; .908 OPS) as the Braves fell to fifth place otherwise, but in 1971 his good knee gave out on him. He’d never be the player he once was again other than a surprise 1973 in which he became the Red Sox’s first official designated hitter. Released for youth in 1974, he tried a comeback in the Mexican League and a brief spell with the Royals before calling it a career at last.

Hall of Famer Roberto Clemente’s tragic death in 1972 led Puerto Rico to anoint Cepeda a hero, but in December 1975 his astonishing arrest for accepting a delivery of 170 pounds of marijuana (he claimed he was expecting a smaller amount, for himself) sent him from hero to poison. There wasn’t a jazz performance alive that could save him from that.

“He and his family received death threats,” observed his Society for American Baseball Research biographer Mark Armour. “He lost all of his money on his legal case, which caused him to miss child-support payments and led to more legal trouble. He finally stood trial in 1978, was found guilty, and was sentenced to five years in prison. He served ten months in a minimum-security facility in Florida.”

Cepeda struggled further after his release, losing a job as a White Sox minor-league hitting coach and his second marriage. Somehow, he took up Buddhism and there lay the key to changing his life permanently. “It allowed him to take responsibility for the mess he had made of his life,” Armour wrote, “to get control of his shame and his anger, and to help him find a path forward. He also met Mirian Ortiz, a Puerto Rican woman who eventually became his third wife. He and Mirian moved to the Bay Area, close to where his baseball journey had begun 30 years earlier.”

“Buddhism cleared the air for me,” Cepeda said. “I discovered that winter always turns to spring.”

In time, Cepeda re-established ties with the Giants, first with fantasy camps, then with scouting and roving instruction, and finally as a humanitarian ambassador. He was also elected to the Hall of Fame by the 1999 Veterans Committee, the second Puerto Rican (behind Clemente) to be elected, five years after he missed Baseball Writers Association of America election by seven votes in his final year of eligibility.

Shy of a decade later, Cepeda became the fourth Giant to be immortalised in bronze outside what’s now Oracle Park, joining Mays, McCovey, and Hall of Fame pitcher Juan Marichal, shown standing tall with his customary smile, wearing a first baseman’s mitt and holding a baseball inches from the webbing. It was a long, hard enough road for the man who’d had to use his Giants signing bonus to pay for his father’s funeral.

Let’s pray his widow and five sons find comfort in his eternal serenity in the Elysian Fields. And, that they can’t resist saying, “It figures,” if they discover one of the first things he did upon arrival was seek out a Miles Davis Quintet here, a John Coltrane Quartet there, a Mongo Santamaria group yonder, and engage the only swinging that ever engaged him above and beyond his own with a bat.

“Let him hear you, he’s listening.”

Heliot Ramos

Willie Mays played with Gary Mathews.. Who played with Edgar Martinez.. Who played with Ichiro.. Who played with Tim Beckham.. Who played with Blake Snell.. Who played with Heliot Ramos.. Who homered tonight while playing CF for the Giants… In Willie Mays’ first pro ballpark. Baseball!—Jayson Stark, Hall of Fame baseball writer.

In the first professional baseball park where the late Hall of Famer Willie Mays played as a Birmingham Black Baron, it was illegal until 1963 for white and non-white players to play on the same field. On Thursday, white and non-white players converged for the San Francisco Giants and the St. Louis Cardinals to play an official major league game.

None but the blind or the bigoted pretends racism is eliminated from American life entirely. But the Giants and the Cardinals, playing a game umpired by the Show’s first all-black umpiring crew, managed to keep it outside the gates of a ballpark where Hall of Famer Reggie Jackson played on the first interracial team Rickwood Field hosted.

That was then: Jackson’s parent club, the then-Kansas City Athletics, moved its AA-level minor league team into Birmingham at the insistence of its owner, Charles Finley, a Birmingham native who could be flagrantly wrong about many things but stood on the side of the angels when it came to racism. Jackson remembers only too well.

“I walked into restaurants and they would point at me and say, ‘The n—–s can’t eat here’,” Jackson said aboard the Fox Sports pre-game broadcast.

I would go to a hotel and they’d say, “the n—–s can’t stay here.” We went to Charlie Finley’s country club for a welcome home dinner and they pointed me out with the N-word, “he can’t come in here.” Finley marched the whole team out . . . Finally, they let me in there and he said, ‘We’re going to go eat hamburgers. We’ll go where we’re wanted.’

Coming back here is not easy. The racism when I played here, the difficulty of going through different places where we traveled—fortunately, I had a manager and I had players on the team that helped me through it—but I wouldn’t wish it on anybody.

This is now: The Negro Leagues are recognised formally (and appropriately) as having been major leagues. This year, the known statistics of Negro Leagues players and managers (surely there will be more to exhume, however long it might take) began becoming integrated into major league statistics at last.

Bill Greason

The Rev. Bill Greason, former Birmingham Black Baron who got to pitch very briefly for the Cardinals in 1954.

Thursday evening, the oldest former Negro Leagues player, pitcher turned minister Bill Greason (99), was escorted to halfway between the mound and the plate by Cardinals coach and former player (and the National League’s 1985 Most Valuable Player) Willie McGee to throw a ceremonial first pitch. To Ron Teasley, Jr., whose father is the second-oldest living former Negro Leaguer.

Greason was six years Willie Mays’s senior when they were Black Barons teammates. “He was a determined young man,” the former pitcher told Ken Rosenthal. “He had the gifts, the talent, and he was sensitive to listening to those who were older than he was. It was a tremendous blessing, and we turned out to be real close. Like brothers.” Just the way Mays would look toward former Newark Eagles star Monte Irvin when Irvin was a third-year Giant and Mays a nervous Giants rookie.

Mays’s number 24 was painted in large white numerals behind the plate. A Giants uniform with his number hung in the Giants’ dugout. The Giants and the Cardinals—wearing the uniforms of, respectively, the San Francisco Sea Lions (West Coast Negro Baseball League, 1946) and the St. Louis Stars (Negro National League, 1920-1931)—wore circular patches on their jerseys with Mays’s surname and number.

Mays’s son, Michael, urged the Rickwood crowd to make some noise for his father before the game. “Birmingham, I’ve been telling y’all,” the younger Mays said, “if there was any way on Earth my father could be here, he would. Well, he’s found another way . . . Let him hear you, he’s listening. Make all the noise you can.” The Wil-lie! Wil-lie! chant just about drowned every other sound out.

Mays had issued a statement Monday saying his health would keep him from attending the game. The following day, he died at 93. America couldn’t decide whether to grieve over yielding Mays to the Elysian Fields or be grateful that he remained among us as long as he did.

“In a sense, Mays was too good for his own good,” wrote George F. Will in tribute.

His athleticism and ebullience—e.g., playing stickball with children in Harlem streets–encouraged the perception of him as man-child effortlessly matched against grown men. He was called a “natural.” Oh? Extraordinary hand-eye coordination is a gift. There is, however, nothing natural about consistently making solid contact with a round bat on a round ball that is moving vertically, and horizontally, and 95 mph. Because Mays made the extraordinary seem routine, his craftsmanship and intelligence were underrated.

The late Willie Mays, as a young Birmingham Black Baron. (Photo: Birmingham Public Library.)

The arguable greatest position player ever to play major league baseball may have been watching and listening from his Elysian Fields roost on Thursday, but he surely lamented his Giants losing by one run to the Cardinals. Not for lack of trying.

The Athletic‘s irrepressible Hall of Fame writer Jayson Stark couldn’t resist pointing out: “Willie Mays played with Gary Mathews.. Who played with Edgar Martinez.. Who played with Ichiro.. Who played with Tim Beckham.. Who played with Blake Snell.. Who played with Heliot Ramos.. Who homered tonight while playing CF for the Giants… In Willie Mays’ first pro ballpark. Baseball!”

That would be Ramos tying the game at three-all when he took hold of a two-on, one-out, one-strike service from Cardinals starting pitcher Andre Pallante and launched it the other way, over the painted Budweiser ad on the right field fence.

The Cardinals kind of snuck back into the lead an inning later on a sacrifice fly (Nolan Gorman) and a run-scoring (Alec Burleson) wild pitch (from Giants reliever Randy Rodriguez), and padded it to 6-3 in the bottom of the fifth when Brendan Donovan sent home his third run of the game, singling up the pipe to score Burleson. The Giants got two back in the top of the sixth on an RBI single (Wilmer Flores) and a sacrifice fly (Nick Ahmed), but that was the end of the game’s scoring.

The all-black umpiring crew even managed to behave, from Alan Porter behind the plate onward. Perhaps wisely, they confined the otherwise dubious C.B. Bucknor to second base, where he couldn’t possibly commit half the mischief he normally does when he’s assigned to call balls and strikes.

For one evening Rickwood Field became the Show’s oldest park in which to play a game; built originally in 1910, it’s two years older than Fenway Park and four older than Wrigley Field. It also became the place where racism’s ghosts were made unwelcome, even as few, perhaps, beyond the assembled former Negro Leaguers, might have guessed whom its most troublesome ghost might have been.

The once all-white minor league Birmingham Barons, to whose games Mays listened as a youth, had a radio play-by-play announcer from 1932-1936 named Bull Connor, who just so happened to be Birmingham’s commissioner of public safety at the same time. “Pretty good announcer, too,” Mays once remembered of him, “although I think he used to get excited.”

That pretty good announcer eventually ordered fire hoses and attack dogs turned upon student civil rights demonstrators, in 1963, the horror of which helped speed the writing, passage, and acceptance of the 1964 Civil Rights Act. Connor is long gone. So is the legal framework by which Jim Crow wreaked his infamy. But only that.

There remain miles to go yet before racism’s cancer is eradicated entirely from too many hearts and minds, still, who might have remained oblivious Thursday night to what its absence can achieve, even on a baseball team. Thursday was one more round of chemo, but an instructive and endearing one.

Willie Mays, RIP: Loss, but Gratitude

Willie Mays

Mays hitting his 500th career home run, in 1965. “He has gone past me,” Ted Williams would say at his own Hall of Fame induction, after Mays hit number 522, “and he’s pushing, and I say to him, ‘Go get ’em, Willie’.”

Seeing Willie Mays in my boyhood when he was a Giant still in his prime was as transcendent as seeing him in his baseball dotage, as a late-career Met, was heartbreaking. Having Mays at all back in the city where he really made his baseball bones was as much a belated blessing as having him too much less than his best was sorrow. But . . .

“What do you love most about baseball?” asked Joe Posnanski, in The Baseball 100. (He ranked Mays number one.) Then, he answered. “Mays did that. To watch him play, to read the stories about how he played, to look at his glorious statistics, to hear what people say about him is to be reminded why we love this odd and ancient game in the first place.

“Yes, Willie Mays has always made kids feel like grown-ups and grown-ups feel like kids. In the end, isn’t that the whole point of baseball?”

But having Mays say farewell the way he did in Shea Stadium on 25 September 1973, with the Mets still yanking themselves back to take a none-too-strong National League East, brought tears not just of loss but of gratitude. If so few of the greats retire before the game retires them, fewer than that retire with Mays’s soul depth:

I hope that with my farewell tonight, you will understand what I’m going through right now. Something that—I never feel that I would ever quit baseball. But as you know, there always comes a time for someone to get out. And I look at the kids over here [pointing toward his Mets teammates], the way they are playing, and the way they are fighting for themselves, tells me one thing: Willie, say goodbye to America.

America never really said goodbye. Now America must say a reluctant au revoir. Mays left this island earth at 93 Tuesday. “I want to thank you all from the bottom of my broken heart for the unwavering love you have shown him over the years,” said his son, Michael, in a statement. “You have been his life’s blood.”

We’ve been his life’s blood? The younger Mays had it backward. His father was the lifeblood of every objective and appreciative baseball fan of his time. He didn’t have to wear the uniform of the team for which I rooted since their birth (not right away, anyway) to be that for me, in hand with Sandy Koufax, and believe me when I tell you that watching Koufax going mano a mano against Mays was something precious to behold.

(For the record, Mays faced Koufax 122 times and nailed 27 hits. Five were home runs, eight were doubles, one was a triple, for 33 percent extra bases off the Hall of Fame lefthander. Mays also wrung 25 walks out of him while striking out 20 times.)

Before Mays’s Giants and Koufax’s Dodgers high tailed it out of Manhattan and Brooklyn for the west coast, the most bristling debates in New York involved not politics, finance, or rush-hour traffic, but baseball. As in, whom among the three Hall of Fame center fielders patrolling the territory for each team was The Best of the Breed.

I was born in the Bronx and raised there and on Long Island; I heard the debates for years to follow after the Dodgers and the Giants went west. I had skin enough in that game long before Terry Cashman wrote and recorded his charming hit, “Willie, Mickey, and the Duke (Talkin’ Baseball).” Well, now. Let’s look at the trio during their New York baseball lives two ways, for all the seasons they played in New York together. (Snider was a four-year major league veteran by the time Mays and Mantle arrived in 1951.)

First, according to my Real Batting Average metric (total bases + walks + intentional walks + sacrifice flies + hit by pitches, divided by total plate appearances):

Together In New York PA TB BB IBB SF HBP RBA
Mickey Mantle 3493 1648 524 34 11 5 .636
Willie Mays 3299 1718 362 70 23 11 .662
Duke Snider 2629 1305 283 42 6 7 .625

Mays has a 26-point RBA advantage over Mantle and that’s with Mays losing over a season and a half to military service. (Mantle’s osteomyelitic legs kept him out of military service; Snider served in the Navy before his major league days began.) Mays also landed 70 more total bases and was handed 36 more intentional walks.

Mantle may have been a powerful switch hitter, but just from one side of the plate Mays outperformed him while they shared New York even with precious lost major league time between ages 21-23. Mantle also had a .756 stolen base percentage to Mays’s .738, but a) Mantle’s already compromised legs kept him from trying more often; and, b) Mays led his league in thefts twice during the period under review. (Snider? Even a hobbled Mantle left him behind: for their shared New York years, his stolen base percentage was .586.)

Sometimes Mantle gets the props as the best of the trio purely because his Yankees were far better teams than the others’. Actually, Snider’s Dodgers were almost as good as Mantle’s Yankees. It was no more Snider’s fault that his Dodgers couldn’t get over those Yankee humps until 1955 than it was Mantle’s sole doing that his Yankees won seven pennants and five World Series (three consecutively) while they shared the Big Apple.

And it was hardly Mays’s fault that his Giants won a mere two pennants in the same shared span, even if Mays’s Giants got squashed by the Yankees in five in the 1951 Series but swept the far better Indians in the 1954 Series. You may have heard of a little play known as The Catch from Game One of that Series, happening when it seemed the Indians had a shot at taking the opener. (Mays would play on two more pennant winners, too, the 1962 Giants—who beat the Dodgers in another memorable pennant playoff—and the 1973 Mets.)

Willie Mays

“The Catch,” of course—460+ feet from home plate in the ancient Polo Grounds.

“That really wasn’t that great of a catch,” harrumphed curmudgeonly Indians pitcher Bob Feller, nearing the end of his own Hall of Fame career. What made him think not? “As soon as it was hit, everyone on our bench knew that he was going to catch it . . . because he is Willie Mays.” (But did they know Mays would also keep Hall of Famer Larry Doby from scoring with an equally staggering throw in to the infield off The Catch?)

Which brings me to the titanic triumvirate in center field. We’re going to look at them according to total zone runs, the number of runs their play in center field turned out above or below their leagues’ averages. Baseball-Reference begins measuring total zone runs with the 1953 season, so we’ll have five solid Big Apple seasons to review for each of the trio:

Willie Mays: +45.
Mickey Mantle: +22.
Duke Snider: +25.

Once again you see where Mantle’s physical health issues got in his way despite his supernatural talent and skill. But it might not have mattered. Mays and Mantle both played in unconscionably deep home center fields before the Giants and the Dodgers left the Apple for 1958. You can fantasise all you like how many runs Mantle might have prevented on good legs, but if you guess that he might have proven just about even you’re making a solid guess.

“Willie Mays going after a fly ball was cotton candy and a carousel and fireworks and a big band playing all at once,” Posnanski wrote. “His athletic genius was in how every movement expressed sheer delight.”

When Mays got to San Francisco, he and Mantle continued their top of the line play. When he got to Los Angeles, Snider had two decent seasons followed by a decline phase that actually took him back to New York for a round with the early Mets before finishing his career in 1964 as . . . a Giant, of all things.

Mantle managed to remain Mantle through the end of 1964. Mays managed to remain Mays through at least 1971. Even if his home run power had dissipated somewhat in the previous four seasons, he spent 1971—at age 40—leading the National League in walks and on-base percentage. Mantle’s body took him out at last at age 36; Mays’s, at age 42; Snider’s, at age 37.

And here is how the trio finished career-wise. First, how they sit among the Hall of Fame center fielders whose careers covered the post-World War II/post-integration/night-ball era, according to RBA:

Center Field PA TB BB IBB SF HBP RBA
Mickey Mantle 9907 4511 1733 148 47 13 .651
Willie Mays 12496 6066 1464 214 91 44 .631
Ken Griffey, Jr. 11304 5271 1312 246 102 81 .620
Duke Snider 8237 3865 971 154 54 21 .615
Larry Doby 6299 2621 871 60 39 38 .576
Andre Dawson 10769 4787 589 143 118 111 .534
Kirby Puckett 7831 3453 450 85 58 56 .524
Richie Ashburn 9736 3196 1198 40 30 43 .463
HOF CF AVG .588

But now, how they sit among center fielders for run prevention above their league averages, showing the top ten:

Andruw Jones +230
Willie Mays +176
Paul Blair +171
Jimmy Piersall +128
Kenny Lofton +117
Devon White +112
Carlos Beltrán +104
Willie Davis +103
Curt Flood +99
Garry Maddox +98

Thanks to his leg and hip issues, Mantle finished his career at -10. Snider finished his at -7; his late career was compromised by knee, back, and arm injuries. (Richie Ashburn, their great Hall of Fame contemporary, finished his career +39.) Two such talented center fielderss who’d had excellent throwing arms and range deserved far better than such physical betrayals.

Mays stood alone as the complete, long-enough uncompromised, all-around package. He was blessed with a body that wasn’t in a big hurry to betray him, but no blessing means a thing if you don’t take it forward. Good luck stopping Mays from doing so. Should-be Hall of Famer Dick Allen once advised Hall of Famer Mike Schmidt to play the game as though he were still the kid who’d gladly skip supper to play ball. Mays played the game precisely that way until age began to say “not so fast,” after all.

“The greats don’t always go gently into that good gray night when they can no longer play the games that made their names,” I wrote when Mays turned 90.

This son of an Alabama industrial league ballplayer fought a small war in his soul when his age insisted he was no longer able to play the game he loved so dearly at the level on which he’d played it for so many years. Some said he’d become sullen, moody, dismissive in the clubhouse. Some resented him, others felt for him, still others mourned.

. . . When he smiled as a Met, you still saw him in his youth, you didn’t see the manchild who was yanked rudely into manhood by a San Francisco that shocked him with skepticism as a New York import rather than a hero of their own. By a San Francisco that also shocked him, for all its reputation otherwise, when his bid to buy a home with his first wife was obstructed long enough by the sting of neighbourhood racism.

Willie Mays

Mays taken for a drive around PacBell Park in a 1956 Oldsmobile to celebrate his 90th birthday. San Francisco came to love him as New York did, but not without growing pains.

After his first marriage ended in divorce and in his son living across country with his mother, Mays dated Mae Louise Allen for about a decade before marrying her after the 1971 season. His happiness there was compromised by her premature Alzheimer’s diagnosis; his caring for her until her death in 2013 is the stuff of true love stories.

A welcome presence at the Hall of Fame’s induction ceremonies following his own in 1979 and at various Giants events (and numerous home games) in the years that followed, Mays wouldn’t be able to attend this year’s Field of Dreams game at Birmingham’s Rickwood Field, the field where he first played with the Birmingham Black Barons of the old Negro American League.

“I’d like to be there, but I don’t move as well as I used to,” he said in a statement on Monday. “So I’m going to watch from my home. But it will be good to see that. I’m glad that the Giants, Cardinals and MLB are doing this, letting everyone get to see pro ball at Rickwood Field. Good to remind people of all the great ball that has been played there, and all the players. All these years and it is still here. So am I. How about that?” A day later, sadly, he was gone.

Mays never apologised for making the game look fun with his fabled basket catches in front of his belt, his winging turns running the bases as his deliberately oversized hat flew off, his high-pitched voice sounding like a kid getting to play yet another inning.

“That’s what his idea was,” said one-time Giants relief pitcher Stu Miller, “to please the crowd.”

“I’m not sure what the hell charisma is,” said Ted Kluszewski, the musclebound Reds first baseman of the 1950s, “but I get the feeling it’s Willie Mays.”

“The only thing Willie Mays could not do on a baseball diamond,” Posnanski wrote, “was stay young forever.”

May his entry into the Elysian Fields, where it’s Willie, Mickey, and the Duke once again,  and especially his reunion with his beloved Mae, have been as joyous for him as the way he played the game was joyous to us for as long as we were honoured to see him play.