Gaylord Perry, RIP: Grease was the word

Gaylord Perry

What was Gaylord Perry (shown here in his earlier seasons with the Giants) using to live rent-free in the minds of hitters, managers, umpires? Really?

A bit over forty years ago, I was in Air Force basic training on San Antonio’s Lackland Air Force Base. Hall of Fame pitcher Gaylord Perry helped me survive that hot June and July. I couldn’t watch baseball games but I could use something for which he was, shall we say, somewhat notorious.

The heat stress factors at that time of year inspired airmen basic in drill formations to develop their own relief when granted brief rest on the drill pads. Since those rests weren’t much more than two minutes, it seemed, I would brush the bill of my hat with each hand’s fingertips, then the sides of my shaven hair, then down the front of my fatigue uniform shirt.

It took my mind off both the metastasising humid heat and my fears that I was just about the worst airman basic ever to pass through the Lackland arterials. It was also noticed by my training flight colleagues asking me where I found such a nutty looking routine. I had nothing to hide. It was Perry’s routine between pitches whenever he wanted a batter to think he was loading, lubing, oiling, waxing, gelling up for the next pitch.

My Air Force career turned out to be eighteen percent as long as Perry’s major league pitching career. I was awarded the Air Force Achievement Medal for work during an exercise by the ancient Strategic Air Command. Perry won a pair of Cy Young Awards—the second at age forty. I went from the Air Force to regional journalism. Perry went to the Hall of Fame.

Longtime manager Gene Mauch notwithstanding, there isn’t a tube of K-Y jelly next to Perry’s plaque. What’s inscribed, instead, is this: “Playing mind games with hitters through array of rituals on mound was part of his arsenal.”

Perry died this morning of natural causes at 84. Maybe the only thing he loved about baseball more than pitching itself was living rent free in the heads of opposing hitters, managers, umpires, and anyone else looking to dope him on the mound and maybe rope him off it.

What the hell was it that Perry got when he went through that once-famous routine—brushing the bill of his hat with his fingertips, then his hair (what remained of it), his jersey, tapping his belt, assorted other little brushes—intended to renew his in-those-heads leases?

Was it K-Y? Was it pine tar? Vaseline? Fishing line wax? Mustache wax? 3-in-1 oil? Pennzoil? Lard? Don’t laugh: according to Thomas Boswell, outfielder-turned-Yankee broadcaster Bobby Murcer once sent Perry a gallon of lard as a gift. Maybe someone going through Perry’s personal effects and family heirlooms will discover the Gunk & Wagnall’s that sent him to Cooperstown, a pitcher who threw back to the era when anything went on the mound as well as in the batter’s box or on the bases.

Perry was an ordinary pitcher with the Giants until they acquired pitcher Bob Shaw from the latter’s fourth team, the Braves. Once a solid World Series pitcher (for the 1959 White Sox), Shaw would leave another, ahem, mark upon Perry during their first spring training together as Giants. Perry admired the way Shaw’s pitches slithered up to the plate. Admired and acquired.

Shaw discovered he had a devoted student and, according to Perry himself, taught him how to lube, grip, and deliver the newly greased sphere, not to mention how to hide the subterfuge from such prying eyes as umpires and even opposing executives. But he waited until 31 May 1964 to try a few of his new toys, in one of the most fabled games of all, the 23-inning marathon in game two of a doubleheader against the Mets in New York.

Perry worked ten shutout innings in that game—in relief. He got credit for the win thanks to an RBI double (Del Crandall, who joined the Giants in the Shaw trade) and a followup RBI single (Jesus Alou, whose older brother Felipé went to the Braves in the deal)–in the top of the 23rd. In due course Perry would write, in his memoir Me and the Spitter, that on that unique day he became an outlaw “in the strictest sense of the word—a man who lives outside the law, in this case the law of baseball.”

The spitball and other loaded and doctored pitches were outlawed in 1920. Incumbent pitchers who lived by them were allowed to continue throwing them; pitchers joining the Show afterward were not. Officially. Unofficially, of course, there were those who continued to discover new and more creative ways to turn baseballs into carpentry experiments.

Few of those post-1920 scofflaws were as unapologetic as the husky righthander from North Carolina who came from solid farming stock and plowed his own baseball yield. The younger brother of a successful enough major league pitcher named Jim, Perry wouldn’t settle for mere success, even if he did become the first to win a Cy Young Award in each league including one on the threshold of his fortieth birthday.

He wasn’t strictly a spitballer. He was actually known for throwing a fine forkball, though my saying so might inspire a few snickers and a few temperatures running up the scales. After he struck thirteen Angels out in a 1982 game, en route his 300th credited pitching win, said Angels weren’t necessarily amused.

“I only saw two pitches all night that were legal,” said outfielder Fred Lynn, once a Red Sox Rookie of the Year and Most Valuable Player in the same season but compromised since by injuries. “I have it on tape. He calls that thing a forkball. There ain’t a forkball alive that does what that pitch does.”

Lynn’s teammate Don Baylor didn’t think it was that terrible a deal. “I don’t take one thing away from him for winning three hundred with the spitter,” the future major league manager said. “There are loopholes in the rules and you get away with what you can get away with.”

Spoken about a man whose little daughter was interviewed with the family on television while Perry pitched a game in 1971. Asked whether Daddy was throwing a naughty pitch, little Allison Perry piped up, without skipping a beat, and insisted, “It’s a hard slider.”

Whether or not you think Perry’s brand of chicanery was engaging or enraging, beyond that maybe the worst thing you could have thought of him was that he had a reputation as a clubhouse lawyer and a clubhouse scold. He’d grown up tough on the farm and by his own admission suffered few fools gladly, especially after defensive miscues that might cost him a game.

“I’m hard on my teammates,” he admitted to Boswell. “I need a lot out of them to win and I drive ’em.” Some said he drove them crazy. Other might have thought he drove them toward fleeting but profound thoughts of murder.

Until he began approaching that 300th win and considered a little image refinement might be a fine thing, Perry was traded five times, released outright once, had a resume of seven teams plus more than a few nasty feelings left behind, including butting heads with groundbreaking Indians manager (and fellow Hall of Famer) Frank Robinson over the latter’s spring training conditioning rules.

Gaylord Perry

Perry’s statue outside the Giants’ home ballpark, known now as Oracle Park. There’s no tube of K-Y there, either.

Robinson insisted on foul line-to-foul line sprints. Perry had spent his career using the foul line-to-dead-center sprint. He fumed, “I’m not training for a marathon race, and I’m not about to let some superstar who never pitched a game in his life tell me how to get ready to pitch.” For his part, Robinson blamed Perry as a primary instigator that led to his firing. Ouch.

By the time Perry joined the Mariners in 1982, he learned how to behave just enough to survive. He’d also been a career-long game student who went to considerable lengths to enhance his pitching mind. He tried new pitches off the mound for about two years’ worth before using them in games. Experience plus attentiveness taught him just as it had growing up on and then working the offseasons on the farm.

“I threw my first screwball to [Hall of Famer] Willie Stargell,” Perry told Boswell. “He hit it over the center field fence. I never threw another one. I learned that you always try out a new pitch to a little guy.” That’s one way to pitch 22 seasons and send yourself to Cooperstown, whether or not you’ve greased your way there.

Seeing Perry on the Hall of Fame induction stages in the years following his own induction, I was struck often by the once-familiar face expressing both pleasure and winking mischief shaded by a trace of sorrow. Perry’s post-baseball life wasn’t always smooth. His beloved peanut farm went bankrupt three years after he retired from pitching. The following year, his wife was killed in a road accident.

He rebounded well enough. He worked as a representative for a snack company and then as the creator of a baseball program at a South Carolina college, remarried to a woman on that college’s board of trustees, and kept close to his children. (Tragically, his only son died of leukemia in 2005.) In time, the memorabilia boom provided Perry with a very comfortable living, perhaps above and beyond his best earning years as a pitcher.

To the end, wherever he went, he’d be asked what he applied, where he hid it, and how often he threw it. To the end, Perry’s answers came from the usual coy non-denying denial. Maybe he did, maybe he didn’t. Maybe he’d mastered the dark art of doctoring, maybe what he really did was commit psychological warfare. (It took until he was pushing 44 before he was tossed from any game over a suspect pitch.)

“Just planting the idea in the hitter’s mind is almost as good as having an illegal pitch,” said longtime pitching coach Ray Miller, himself a confessed scofflaw after his minor league pitching career ended. “I was misquoted . . . as saying that [Royals pitcher] Dennis Leonard had a good spitter. He came up to me this spring to chew me out and I said, ‘Dennis, you should thank me. Nobody can do a pitcher a bigger favour than saying they’ve got a hell of a spitter’.”

That was a favour off which Perry made his living for over two decades on the mound and, in time, a decade or two just being himself on the autograph circuit. I’m reasonably sure that he didn’t lay a tube of K-Y in front of him at any signing table.

“When the Perry plaque is put up in Cooperstown,” Boswell concluded in that 1982 observation, “it should not, as [longtime manager Gene] Mauch needles, have a tube of grease next to it, nor should Perry’s record have a spitball asterisk beside it.”

However, it might be a good idea to place Perry in a wing of the Hall near those nineteenth-century old-timers who won 300, like Kid Nichols, Pud Galvin, Tim Keefe, John Clarkson, Mickey Welch, Eddie Plank and Ol’ Hoss Radbourne.

Many of them came off the farm, doctored the ball as they wished, glared at any manager who dared to take them out of a game, chewed out their teammates and knocked down hitters who got too comfortable at the plate. The game was hard then, short on manners and long on sweat. And so were they.

Gaylord Perry, who has always looked like he should be pitching in dungarees, not double-knits, would grace their company.

Imagine Elysian Fields confabs of those gentlemen plus such other actual or suspected greasers as Bo Belinsky, Jim Brosnan, Lew Burdette (Belinsky swore Burdette was his teacher), Dean Chance, Tony Cloninger, Don Drysdale (“I watched him pull at the belt so much I was sure it wasn’t just habit,” Perry once said of him), Whitey (Lord of the Ring Ball) Ford, George Hildebrand, Carl Mays, Preacher (Beech-Nut) Roe, Schoolboy Rowe, and Bullet Bob Turley.

It might be worth all the sacrificial lambs on the farms to be invited to listen and learn at even one such Salivation Army briefing.

So what really made the Year of the Pitcher?

Bob Gibson, whose talismanic 1.12 ERA may remain the best-remembered element of 1968’s Year of the Pitcher. But . . .

When Hall of Fame pitcher Bob Gibson lost his battle with pancreatic cancer at 84 last Friday night, two things above all seemed looming large over any retrospective of the St. Louis Cardinals marksman who was just as good a man as a pitcher. Even above his striking overall World Series performance record.

Thing One: Gibson’s still somewhat exaggerated image as an intimidator. So much so that a friend hailed me aboard a social media platform to remember Gibson saying he’d knock his own grandmother down if she dared to challenge him. It took me a short while to convince him Gibson never said that about his grandmother or any other relative.

For the record, Hall of Famer Henry Aaron plagiarised Hall of Fame pitcher Early Wynn to say Gibson would knock his grandma down, and Aaron mis-plagiarised Wynn about the challenge part. Wynn had actually said he’d knock Grandma down if she dug in against him. Apple sauce and orange chicken.

The closest Gibson ever came to admitting he insisted upon going one-up on family members is when he admitted, a little puckishly, when asked if competitiveness was his more-or-less lifelong companion, “I guess you could say so. I’ve played a couple of hundred games of tic-tac-toe with my little daughter, and she hasn’t beaten me yet. I’ve always had to win. I’ve got to win.”

Which leads to Thing Two, since Gibson revealed his tic-tac-toe conquering during the same year’s World Series: 1.12. That was Gibson’s earned run average in 1968. A number at least as talismanic for baseball fans ancient and modern as have been numbers such as 60, 61, 511, 714, 755, 2,130, and 5,714.

To this day you can meet people who think 1.12 was the reason, maybe the only reason, or the reason first above lesser challengers, why the Year of the Pitcher freaked the Show’s government enough to deliver a couple of rules changes after 1968 that were just as significant as the change that made the damn season almost necessary in the first place.

Hall of Fame writer Roger Angell, who admires and loves top-of-the-line pitching as deeply as he does top-of-the-line hitting and defense, observed in an October 1968 essay (“A Little Noise at Twilight“) that, by mid-July 1968, “it was plain to even the most inattentive or optimistic fans that something had gone wrong with their game.”

Why were the pitchers so good? Where were the .320 hitters? What had happened to the high-scoring slugfest, the late rally, the bases-clearing double? The answers to these questions are difficult and speculative, but some attempt must be made at them before we proceed to the releasing but somewhat irrelevant pleasures of the World Series. To begin with: Yes, the pitchers are better—or, rather, pitching is better. All the technical and strategic innovation of recent years have helped the defenses of baseball; none have favoured the batter. Bigger ballparks with bigger outfields, the infielders’ enormous crab-claw gloves, more night games, the mastery of the relatively new slider pitch, the persistence of the relatively illegal spitter, and the instantaneous managerial finger-wag to the bullpen at the first hint of an enemy rally have all tipped the balance of this delicately balanced game.

Gibson didn’t need the Year of the Pitcher to prove his greatness or make himself a Hall of Famer. He’d established that in a gradual buildup from his first major league gigs in 1959 forward, including and especially during two previous World Series. (1964, 1967.) His ERA over those nine seasons was 3.12; his fielding-independent pitching, 3.10. Among his fellow righthanded pitchers across those seasons, only Hall of Famer Juan Marichal (2.67 ERA; 3.00 FIP) was better.

Gibson pitched seven more seasons after 1968. His ERA over those seven: 3.01; his FIP over the seven: 2.87. You could look at his FIP and argue he was a slightly better pitcher than he’d been before 1968, and that’s without getting another chance to pitch in the postseason before his 1975 retirement.

Let’s look at some of Gibson’s other critical measurements, various key pitching averages, comparing his pre-1968 seasons and his post-1968 seasons:

Averages Sho BB K WHIP H/9 HR/9 BB.9 K/9 K/BB
1959-1967 3 78 176 1.22 7.6 0.7 3.3 7.5 2.25
1968 13 62 268 0.85 5.8 0.3 1.8 7.9 4.32
1969-75 3 81 181 1.22 7.9 0.5 3.1 6.8 2.22

Gibson himself rejected the idea, though not impolitely, but even he had to know that even the greatest of the great have had fluke seasons, outlying seasons. (One-time teammate and fellow Hall of Famer Steve Carlton had one in 1972, to name one.) His 1968 is a no-questions-asked outlier, if not a flat-out fluke. His 1967 ERA  was 2.98, and that’s despite being rudely interrupted by Hall of Famer Roberto Clemente’s liner breaking his leg that July. Any pitcher’s ERA dropping 1.86 below the previous season’s mark, which is exactly what Gibson’s 1968 ERA did, is a drop comparable to the poor soul who falls from the apex of the Gateway Arch.

And, whether his most stubborn partisans like it or not, Gibson had only too much help both making the Year of the Pitcher and inspiring subsequent rules changes.

You probably remember some of that help better than others. Maybe the help you remember best is Denny McLain, the gifted but self-destructive Detroit Tigers pitcher, credited with 31 wins—the first pitcher to cross the 30 threshold since Hall of Famer Dizzy Dean in 1934, the 31 equaling Lefty Grove’s 31 in 1931.

Those still foolish enough to think those 31 wins (when you get four-plus runs support to work with while you’re on the mound you’d better win thirty-one games) mean McLain was better than Gibson that year (because, wins!), think again:

  Sho BB K WHIP H/9 HR/9 BB.9 K/9 K/BB
McLain ‘68 6 63 280 0.91 6.5 0.8 1.7 7.5 4.44
Gibson ‘68 13 62 268 0.85 5.8 0.3 1.8 7.9 4.32

Maybe the help you remember second best is another Hall of Famer, Don Drysdale, breaking Walter Johnson’s 55-year-old mark by pitching 58.1 scoreless innings across six complete-game shutouts. Maybe the help you remember third best is yet another Hall of Famer, Carl Yastrzemski, delivering the lowest-ever average (.3005, rounded to .301) for any league batting champion.

Now, here’s some of Gibson’s Year of the Pitcher help that you may not remember quite so well. Such help as:

* The entire Show posting a 2.98 ERA and FIP.

* The American League slugging .339—the lowest in the league since 1915.

* Gibson’s Cardinals pitching 30 shutouts, followed in order by the Mets (25), the Indians (23), the Los Angeles Dodgers (23), and the Giants (20.)

* The whole Show’s combined .237 batting average was the lowest in major league history to that point and lower than the .240 team average of the 1962 Mets. The American League’s .230 remains the lowest league batting average in history.

* Luis Tiant, the Cleveland Indians’ righthander, posting a 1.68 ERA and a 2.04 FIP, both of which led the American League. (McLain’s FIP: 2.53, the lowest of his career by very far.)

* Jerry Koosman, rookie New York Mets lefthander, pitching seven shutouts. (He lost the Rookie of the Year award to Hall of Famer Johnny Bench, a year after the late Hall of Famer Tom Seaver won the award.)

* Ray Washburn (journeyman St. Louis Cardinals pitcher) and Hall of Famer Gaylord Perry (San Francisco Giants) pitching no-hitters on consecutive days, against each other’s teams, in Candlestick Park.

* Everything else meaning nobody sat up bolt upright in amazement when Hall of Famer Catfish Hunter—who managed somehow to avoid posting a sub-3.00 ERA and FIP—pitched a perfect game against the Minnesota Twins in early May. (It probably didn’t help that, in his next start, the Twins battered him for eight earned runs on eight hits and five walks.)

“The 1968 season has been named the Year of the Pitcher,” Angell wrote earlier in his essay, “which is only a kinder way of saying the Year of the Infield Pop-Up. The final records only confirm what so many fans, homeward bound after still another shutout, had already discovered for themselves; almost no one, it seemed, could hit the damn ball anymore.”

You’ll note Angell wrote “almost”: three teams—the Cincinnati Reds (.273), the Atlanta Braves (.252), and the Pittsburgh Pirates (also .252)—managed to hit .250 or better as teams. Gibson’s Cardinals hit .249 collectively; McLain’s Tigers hit two points below the Show average. The worst hitting team in the Show, further evidence of their sad post-1964 Lost Decade, was the New York Yankees—the Bronx Bombers disarmed to Bronx Busts—and their team .214 average.

The two 1968 World Series combatants, the Cardinals and the Tigers, batted .242 between them in a season that wasn’t just the Year of the Pitcher but one in which the last pre-divisional play pennant races were all but decided by the middle of July. Old-school fans probably throve on the idea of a World Series matching a pair of old-time franchises who’d previously played a thriller of a 1934 Series that ended in a trash riot (over Cardinals outfielder Joe Medwick) and a Cardinals triumph.

But the Tigers pitched nineteen shutouts to the Cardinals’ staggering 30 going in—and hung on to beat the Cardinals in seven games only three of which could be called thrillers. Three others were no-questions-asked blowouts, with Gibson and the Tigers’ eventual World Series MVP Mickey Lolich benefiting from one blowout apiece.

McLain himself pitched six shutouts but Lolich—the portly lefthander who lived on a mix of off-speed pitches and a sinkerball that got deadlier as he tired by late innings—pitched four, including three down the stretch after he was restored to the Tigers’ starting rotation in late August. Gibson, though, accounted for almost half his team’s shutouts with thirteen. He’d also pitch the Series’ lone shutout, the Game One in which he broke Hall of Famer Sandy Koufax’s record for strikeouts in a single Series game.

The ’68 Series is also remembered for the two phenomenally-anticipated pitching matchups between Gibson and McLain that turned into mismatches with McLain coming out on the short end. Well, only one of the pair was a real mismatch: Game Four, the Cardinals battering McLain for four runs (three earned) in two and two-thirds, two more runs by Joe Sparma in a third of an inning, then prying John Hiller without an out in the eighth, including Hall of Famer Lou Brock’s three-run double.

That kind of run support must have staggered Gibson, who’d enjoyed 2.8 runs of support while he was in the game during his regular-season starts.

It’s so simple even now to think that when push came to shove Gibson simply out-classed McLain and McLain was exposed as a paper Tiger, but there was a backstory to it: McLain was pitching with shoulder trouble that began when he felt a pop in a 1965 start. And, by 1967-68, McLain was taking copious cortisone shots to pitch with that shoulder. Should you really be shocked, after all, that after another full-out 1969 (and a second straight American League Cy Young Award) McLain’s career took a nose-dive into Lake Michigan?

Some may remember, years after he retired, McLain fuming, “The name of the game back then was you gotta win one for the Gipper. [Fornicate] the Gipper!” He wasn’t referring to Ronald Reagan, either. “McLain’s bitterness was well earned,” wrote Sridhar Pappu in The Year of the Pitcher: Bob Gibson, Denny McLain, and the End of Baseball’s Golden Age. (2017.)

Those cortisone shots would cost him his major league career. The myth that baseball players were tougher and more resilient back in the day, that they were willing to endure anything for the sheer love of the game, is just that—a myth. In truth, they were victims of terrible medical advice, merciless management, and unforgiving fans who believed that a worn-out, hurting arm signaled a kind of moral weakness.

Excessive cortisone administration doesn’t just cause the kind of visual issues that can result in blindness such as afflicts former Mets/Senators/Tigers pitcher Bill Denehy (who joined the Tigers the season after McLain’s departure), who received a multitude of such shots after a shoulder injury in his rookie 1967. Citing pitcher Mike Marshall (reliever in 37 games for the 1967 Tigers; eventual 1974 Cy Young winner who earned a subsequent doctorate in exercise physiology), Pappu wrote ominously:

Marshall even then understood what cortisone is: not a cure-all for pain, but a corrosive that softens the bone and weakens the ligaments. [Marshall] could see McLain growing addicted to it. Despite what doctors might have said, cortisone was more of an analgesic than a curative treatment. And, ultimately, it would destroy McLain’s career.

McLain was reckless, a self-destructive self-promoter, most likely due to the early death of a father who yearned for his son to escape the hard paycheck-to-paycheck labourer’s life and taught that yearning with ferocious, excessive beatings. (Bob Gibson never knew his father, who died three months before he was born, but his older siblings and mother taught him with firm but loving hearts.)  Whatever else you’ve read about McLain’s worst, the real cause of his baseball death was his shoulder trouble and his excess dependence on cortisone.

Removing the 1968 World Series from the equation, the question before the house is the same which the political humourist P.J. O’Rourke attached to his book about the 2016 presidential election as a title: How the hell did this happen? Well, this is how the hell the Year of the Pitcher happened:

Hint: Sandy Koufax won the first of his record three MLB Cy Young Awards (it became an each-league prize after Koufax retired) and beat the Yankees twice in that World Series, including the Game One in which he set the strikeout record Gibson broke.

From 1950-1962, the strike zone was between the batters’ arm pits and his knees, however they stood at the plate, whether crouching little pests like Hall of Famers Luis Aparicio and Nellie Fox, or more upright demolition experts like Hall of Famers Mickey Mantle and Willie Mays. Then the Baseball Rules Committee decided the hitters were having too much fun and the pitchers needed a reasonable break.

So, in 1963, they expanded the strike zone, from the top of the batters’ shoulders to the bottoms of their knees. Oops.

That Rules Committee “apparently thought they were, in taking this action, returning the strike zone to what it had been prior to 1950; that, at least, is what they announced at the time,” wrote Bill James in The New Historical Baseball Abstract. “They overshot the mark just a little; the definition used prior to 1950 was from the player’s knees to his shoulders; the new definition said from the bottom of the knees to the shoulders.”

The effect of this redefinition was dramatic. The action was taken, quietly, because there was a feeling that runs (and in particular home runs) had become too cheap. Roger Maris’s breaking Babe Ruth’s single-season home run record contributed to that feeling. The thinking was that, by giving the pitchers a few inches at the top and bottom of the strike zone, they could whittle the offense down just a little bit.

Denny McLain, at the painful height of his career.

Baseball observers and analysts of the 1960s, bless them, didn’t stop to think that, yes, Roger Maris, a compact but muscular lefthanded pull hitter who hit booming high line drives instead of parabolic bombs, did have a delicious short porch at which to aim in Yankee Stadium . . . but he hit one less home run at home in 1961 than he did on the road. And, that five out of Maris’s nine road ballparks were rated pitchers’ parks that year.

James also argued, like Angell, that the ballparks themselves contributed to a game weighted to pitching by the 1960s as a whole and 1968 in particular: every ballpark change between 1930 and 1968 took hits out of the leagues with increasing volume of foul territory. Nor did anyone in either league or from the commissioner’s offices bothered checking height or slope of pitching mounds visibly higher than the rules allowed.

There was also the nocturnal factor. Night ball continued growing. In elementary terms, you tell me how simple it might be to swing on and connect with a 95 mph-plus fastball. You tell me if you’d like to face Bob Gibson, Sandy Koufax, or Nolan Ryan—or even Juan Marichal with that multiple array of windups and leg kicks—in the dead of night no matter how well lit the ballpark might be.

This is the total of night games played in each season from 1963, when the new pitcher-delicious strike zone took effect, through the end of the Year of the Pitcher:

Season Day Games Night Games +/- Night ERA
1963 4,209 3,837 -372 3.46
1964 4,326 4,055 -271 3.58
1965 4,402 4,197 -205 3.50
1966 4,120 4,385 +265 3.52
1967 3,986 4,442 +456 3.31
1968 3,731 4,309 +576 2.98

The Show played 576 more night than day games in 1968, compared to 456 more night than day in 1967 and 73 more night than day games in 1966. Baseball also played 204 more night games in 1968 than 1963. More to the point: marry that -0.33 drop in the Show’s ERA from 1967 to 1968 to that still-expanded strike zone.

Even allowing the gradual pre-1967 adjustments to night ball and the 3.53 ERA from 1964-66, now should it have been that much of a shock that the season would come in which the pitchers had that tight a grip on the game?

Gibson pitched 23 of his 34 1968 starts at night and threw nine of his thirteen shutouts at night. McLain also pitched 23 night games out of 41 starts in 1968, and he threw five of his six shutouts at night. Tiant, the American League’s ERA/FIP champion, also led the league with nine shutouts. Like Gibson, El Tiante started 34 games in ’68. He started sixteen night games and threw three of his nine shutouts at night. But he also pitched in maybe the most cavernous of the trio’s home ballparks, Cleveland’s Municipal Stadium. (The Mistake on the Lake.)

Let’s look further at 1968’s major league shutout leaders:

Pitcher ’68 Starts ’68 Sho Sho-night Sho-day Sho%
Bob Gibson 34 13 9 4 38
Luis Tiant 32 9 3 6 28
Don Drysdale 31 8 4 4 26
Jerry Koosman 34 7 4 3 21
Steve Blass 31 7 5 2 23
Ray Culp 30 6 5 1 20
Ray Sadecki 36 6 2 4 17
Mel Stottlemyre 36 6 3 3 17
Jim Nash 33 6 2 4 18
Dean Chance 39 6 4 2 15
Bill Singer 36 6 3 3 17
Denny McLain 41 6 5 1 15

(While I was looking them up, I noticed that if the 1968 Boston Red Sox were smarter, or at least less afraid of vampires, they’d have pitched Ray Culp strictly at night. Culp had a 1.91 ERA after dark but a whopping 4.02 ERA in broad daylight.)

Notice that six of those pitchers had twenty percent or better of their starts result in shutouts; four threw more shutouts at night than in daylight; and, that two—Denny McLain and Ray Culp—threw all but one of their shutouts at night. But if you broaden the cut, and look at all 339 of the Show’s 1968 shutouts, 163 were pitched at night—48 percent. Nearly half the shutouts in 1968 were pitched at night.

That was in a season during which 1,404 games had two runs or less and the Show ERA for those games was 2.99; 1,224 had between 3-5 runs, with an ERA of 2.86; and, a mere 622 featured six or more runs, with a 3.17 ERA. Strangely enough, in 1967 the percentage of shutouts thrown at night was 52 percent—but there were also 113 fewer shutouts (226 total) thrown.

However you care to slice and dice it, the pitcher’s parks coming online between the 1950s and the 1960s, the 1963 strike zone expansion, and the non-existent enforcement of uniform and reasonable mound heights, made it perhaps inevitable that the decade wouldn’t end before such an outlying, fluky season as the Year of the Pitcher was played.

Starting in 1969, the mounds were required to be no higher than ten inches and the requirement was enforced strictly. Also for the first time, ever, the Show’s government mandated protection for the hitters’ visual backgrounds, which until then were dominated by bleachers, center field wall advertisements, or both. Finally, as James’s Abstract reminds us, several teams either moved in the fences or moved home plate out toward the fences.

The official strike zone got re-shrunk, too. Back to its pre-1963 dimensions.

Strangely enough, the Year of the Pitcher’s five no-hitters (Cincinnati’s George Culver and Baltimore’s Tom Phoebus also pitched 1968 no-nos) weren’t the most in any major league season. There were six in 1915 (including Hall of Famer Rube Marquard) and 1917 (including eventual Black Sox confessor Eddie Cicotte and the legendary Babe Ruth-to-Ernie Shore game). There would be seven in 1990.

The five no-nos were just about the only way 1968 wasn’t an outlier: in 1969, after the re-shrunk strike zone and shaved-down pitcher’s mounds, five no-hitters were also pitched—by Hall of Famer Jim Palmer, plus Ken Holtzman, Jim Maloney*, Bob Moose, Bill Stoneman, and Don Wilson.

McLain’s shoulder-compromised demise began in 1970. Even before he was suspended for the season for carrying a gun on a Tigers team flight, his ERA in fourteen starts was 4.63 and his FIP was 5.22. In a miserable 1971 with the Washington Senators, he was not only hung with 22 losses to lead the entire Show, his ERA was 4.28 even if his FIP came down to 4.40. But after a ghastly 6.37 ERA and 5.43 FIP in 1972 (twenty games, thirteen starts, with Oakland and Atlanta), McLain’s career was over.

Gibson was more fortunate. He had seven seasons to pitch following 1969, with a few highs, no more postseasons, and the advent of arthritis and knee trouble. He thought of retiring after 1974, but the end of his first marriage compelled him to pitch 1975, partially to cope and partially because he needed the money.  But after he surrendered a grand slam to Chicago Cubs spare-part spaghetti bat Pete LaCock, Gibson retired.

Don Drysdale, who’d already had long-term knee and shoulder issues (Koufax once told a reporter privately Drysdale would have retired if he could have in 1966), proved not long for baseball’s world, too. In early 1969, however, his load finish its final toll, too—his rotator cuff vaporised. With no surgery then available to repair it, Drysdale’s career was history, too.

The Tigers finally won the World Series, with a lot of help from Lolich’s career week and no little help from Curt Flood’s sad mishap in the top of the seventh, the great center fielder losing Jim Northrup’s high liner in the sun for just long enough to reverse on a dime and kick up some grass while the ball out-raced him to the fence for a two-run, scoreless tie-breaking triple.

Perhaps remarkably, considering the season it ended, the Tigers posted a .718 Series OPS with 56 hits, eight home runs, and fifteen total extra base hits. “It was still the Year of the Pitcher,” Angell concluded, “right to the last, but the Tiger hitters had restored the life and noise that seemed to go out of baseball this year.”

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* Jim Maloney, like McLain, suffered long-term shoulder trouble but with even less understanding from his team than McLain incurred.

Jim Maloney (right) confabs with Hall of Famer Sandy Koufax.

In 1969, Jim Maloney was pitching for the Reds and losing his war against constant, searing pain. He still had enough to pitch a no-hitter against the Astros, but in the process he hurt his arm just at a time when the team that would come to dominate the next decade really needed him. When pitching in another start against the Mets, he simply didn’t have it in him to go on. He ached so much that he had the gall to ask his manager, Dave Bristol, to take him out of the game. An enraged Bristol—soon to be replaced by Hall of Fame manager [Sparky] Anderson—called a meeting with his pitchers and told them that he wouldn’t accept pain as an excuse, that they simply had to play through it.

“Listen, if a guy’s arm is sore he wouldn’t even be able to throw the ball,” Bristol said. “Right? If he can throw it up to the plate and get somebody out, then it can’t be that sore, so he’s gotta stay in there.”

—Sridhar Pappu, in The Year of the Pitcher.

Once one of the National League’s premier power pitchers—with Hall of Famer Sandy Koufax, he co-led the Show with five shutouts in 1966, and had a 2.70 ERA and 2.68 FIP from 1963-66—Maloney suffered especially under a tragic change in regime.

His first major league manager, Fred Hutchinson, himself a former pitcher, once lifted Maloney while the righthander had a no-hitter going against Koufax, of all people—when Maloney suffered a muscle strain in his arm. “When a fellow has an arm like that,” Hutch told the press, “you just don’t take chances.” That’s one up for Uncle Fred!

But when Hutchinson’s cancer took him out late in the 1964 season, successor managers Dick Sisler and Dave Bristol weren’t so careful with Maloney. By 1967 at least, he, too, was taking numerous cortisone shots. In time, Maloney would have a contentious relationship with teammates, fans, and the press, inflamed by then-Reds GM Bob Howsam questioning his injuries and his commitment.

Ironically, it was a baserunning injury—a torn Achilles tendon in 1970—that put paid to Maloney’s career for all intent and purpose. His last thirteen major league games were as a worn-down, ineffective spot reliever for the 1971 California Angels. After baseball, he worked for his father’s car dealership before his first marriage collapsed as he fought a battle with the bottle.

Maloney sobered up, re-married happily, and became his native Fresno’s director for its Alcoholism and Drug Abuse Council until his retirement.