Who says baseball isn’t good for a little hair raising anymore? If you weren’t paying attention Sunday, you missed some real hair raising in Los Angeles and New York. As a matter of fact, you could feel sorry for Dodger Stadium’s being upstaged by Citi Field’s.
Even if both hit the history books running.
Max Scherzer took a perfect game into the eighth inning. Along the way he pitched an immaculate inning—the third man ever to do it three times, joining Chris Sale and Hall of Famer Sandy Koufax—and bagged his 3,000th career strikeout. Right there it should have been the biggest story in the game.
Immaculate inning? Three thousand strikeouts? Could that someone be Max the Knife?
Those Big Apple pains in the ass had to horn in on Scherzer’s glory. They had to go from a brothers-in-arms 9/11 twentieth-anniversary hair-raiser to a Sunday night soiree full of chirping, whistling, snarking, bombing, and oh, yes, Francisco Lindor doing what nobody else in the 139-year history of the Subway Series had done before.
It wasn’t enough that Scherzer should have struck San Diego’s Eric Hosmer out swinging on down and in and a full count in the fifth to record the milestone strikeout. It wasn’t enough that Hosmer was sandwiched by Fernando Tatis, Jr. and Tommy Pham in the middle of that immaculate second.
It wasn’t even enough that Hosmer should have been the one to bust Scherzer’s perfect bid with a double deep to right field, a little quiet revenge for having been on the wrong side of Max the Knife’s further burrowing into the history books.
No. Those spoilsport Mets and Yankees had to go out and enable Lindor—the off-season signing splash whose first year as a Met has been a battle at the plate while remaining a study at shortstop (where he’s worth five defensive runs saved about the National League average)—to do the damage that mattered in a 7-6 Met win.
Never in the entire history of New York’s major league teams tangling against each other—we’re talking serious World Series tonnage, plus all those decades when the Dodgers and the Giants turned baseball into total warfare against each other, not to mention the Yankees and the Mets in regular-season interleague play—had any single player hit three home runs in a single contest between them until Sunday night.
In other words, Lindor accomplished what not even a small truckload of Hall of Famers ever did in Big Apple uniforms against each other. Not Home Run Baker or Babe Ruth. Not Lou Gehrig or Mel Ott. Not Joe DiMaggio or Jackie Robinson. Not Yogi Berra or Johnny Mize. Not Mike Piazza or Derek Jeter. Not even Willie, Mickey, and the Duke.
All around the Lindor clock, hey, let’s do the Lindor Rock!
Bottom of the second. Lindor batting lefthanded, squaring off on 1-1 against Clark Schmidt, a Yankee excavated from the farm system to make the start in the first place, and hitting a hanging breaking ball for a three-run homer into the bullpens behind right center field, pulling the Mets from a 2-1 deficit into a 4-2 lead.
“If Francisco Lindor’s first year as a Met could include a signature moment,” called ESPN broadcaster Matt Vasgersian as Lindor came down the third base line and crossed the plate, “we just watched it.” If only his crystal ball had undergone a tuneup.
Bottom of the sixth. One out, Yankee reliever Wandy Peralta throwing his first pitch to Lindor batting righthanded. The changeup arriving down and on the lower outside corner got driven high and into the left center field seats. Fattening a 5-4 Met lead by a run.
On the way home down the third base line, Lindor made a gesture simulating a kid sticking two fingers into his mouth to whistle a huge blast—a zap back at the Yankees over suspicions that Saturday night’s Mets starting pitcher, Taijuan Walker, was caught tipping his pitches with the Yankees whistling the tips to their batters during their five-run second.
Maybe the Yankees did it, maybe they didn’t. It’s not as though the Yankees have been immune to suspicions of on-field chicanery in the recent past, even if they’re not yet suspected or affirmed to have been quite as deep-cover as the 2017-18 Astros were shown to be for espionage aforethought.
But Lindor tripped a Yankee trigger when Giancarlo Stanton smashed a game-tying two-out, two-run homer in the top of the seventh. Stanton and Lindor jawed back and forth while Stanton was still running the homer out, though the Yankees and the Mets were both kind enough to let Stanton cross the plate before the benches and bullpens emptied completely for a little, shall we say, conversation over the matter.
“The last couple nights, we’ve just been loud over there,” said Yankee manager Aaron Boone. “Not doing anything.”
“I’m not accusing them,” Lindor said post-game Sunday night. “I’m not saying they’re doing it 100 percent because I don’t know 100 percent, but it definitely felt that way. And I took that personal. I took that personal and I wanted to put runs on the board to help my team win.”
For his part, Stanton postgame thought Lindor was actually ticked off at Peralta for whistling—not to steal signs but to try putting a little more life into what Stanton suggested had been a sluggish Yankee bench during a sluggish Yankee spell. That, Stanton said, is what he was trying to convey to the Mets’ shortstop en route the plate.
“If you’ve got a problem to Wandy, give it to Wandy,” the left fielder said. “Don’t be talking to multiple people, bringing everybody into it. Running around the bases, that was my thought process. Obviously, I didn’t get all that out running around.”
If anyone had a real complaint about Peralta’s whistling, it was probably Yankee right fielder Joey Gallo. “It’s definitely not for pitch-tipping or anything like that,” Gallo insisted, before complaining good naturedly. “It’s been hurting my ear, honestly. It’s unbelievable how loud he can whistle.”
Bottom of the eighth, one out, Lindor back batting lefthanded against another Yankee reliever, Chad Green. This time, he hit a 2-0 meatball practically down the chute even higher over the right field fence than his first flog of the night traveled.
It wasn’t as spiritually delicious as Hall of Famer Piazza’s eighth-inning blast in old Shea Stadium, during the Mets’ first home game after the original 9/11 atrocities’ baseball hiatus, but the Citi Field racket as it traveled out of reach was equal in volume to that twenty-year-old cathartic hysteria.
There’s nothing like a three-thump night to make a high-priced shortstop—who’s spent most of his first such high-priced season struggling at the plate if not with the leather—suddenly feel lovable. “It probably helped them believe in me a little bit more,” Lindor said post-game.
Poor Scherzer. The tenacious righthander hit the history books with a flying fist. So he had to be one-upped by those New York yo-yos. Not even Mookie Betts speaking postgame could neutralise things. “He was destined for it,” the Mookie Monster told reporters. “All the work he puts in, everything he does. It kind of sounds weird, but I expect nothing less from him.”
Echoes of Hall of Famer Don Drysdale once saying of his rotation mate and buddy Koufax, “I expect Sandy to pitch a no-hitter every time he takes the mound.”
The bad news in New York was that Met fans have come to expect a discomfiting balance between virtuosity and disaster from reliever Edwin Diaz. And Diaz delivered just what they expected in the ninth Sunday night.
He wasn’t the only bullpen culprit in the hair raising, not after Jeurys Familia threw Gleyber Torres a two-run homer in the sixth, and not after Brad Hand handed Stanton that jaw-inspiring two-run shot in the seventh. But Diaz was the bull most over the edge, almost.
A leadoff strikeout followed by a base hit. A followup walk followed by a swinging strikeout. Then, he had a little help from catcher James McCann, letting a 1-1 pitch to Stanton escape, enabling pinch-runner Tyler Wade and Yankee first baseman Anthony Rizzo to third and second.
Lucky for Diaz and the Mets that Stanton got under the 2-2 fastball and popped it up. To the left side. Where, of all people, Lindor awaited to haul down the game’s final out. Some dared call that one poetic justice.